Gangnam Stem CellAn Editorial Archive
Paju Book City publishing district low-rise architecture seen from main avenue

Travel & Culture

Out of Gangnam: A Day Trip to Paju Book City and Heyri

Ninety minutes north of the Han River — a planned publishing town, an artists' valley, and the slow grey water of the Imjingang.

By Liu Mei-Hua · 2026-05-09

Paju arrives the way certain Hong Kong day trips arrive — by way of the New Territories, past the urban density and into something deliberately quieter. One leaves Gangnam at nine, crosses the Han River at Banpo, and is, by half past ten, walking among the publishing houses of a town that was zoned, planned, and built for the printed page. The architecture is low and unfussy, the avenues wide, the air noticeably colder by perhaps two degrees. North of here, perhaps fifteen kilometres further, the Imjingang river marks the southern edge of the demilitarised zone — and one feels that nearness, even at distance. The day reads as three legs: book city, artists' valley, riverbank. It is an itinerary I keep returning to.

How to leave Gangnam — the route, honestly considered

Paju Book City sits roughly thirty-five kilometres northwest of Apgujeong, in the lower stretch of Paju city near the Han River's confluence with the Imjingang. The most efficient route is by private taxi or chauffeured car — Kakao T Black or a hotel-arranged sedan — which takes between sixty and ninety minutes depending on traffic at the Banpo crossing and on the Jayuro motorway. Expect a fare of roughly 65,000 to 90,000 KRW one-way; a half-day chartered car with a driver waiting between stops runs in the 250,000 to 350,000 KRW range and is, in my view, the most discreet option. Public transport works but rewards patience. The 2200 bus from Hapjeong Station departs every ten to fifteen minutes and reaches Book City in about an hour; from Gangnam this means a metro transfer through Line 9 or Line 2 to Hapjeong, adding twenty-five minutes. There is no direct rail line. For visitors with a recovery schedule — the kind of soft pacing one wants two or three days after a treatment — the chartered car earns its premium; the bus is for sturdier days.

Forest of Wisdom reading room with eight-metre tall bookshelves at Paju Book City
The triple-height stacks at Forest of Wisdom — eight-metre shelves, free entry, an unhurried hour.

Paju Book City — a town, by design

Paju Book City — Chulpan-doshi, in Korean — is a planned publishing district covering roughly 875,000 square metres, opened in stages from 2003 onward, and home to about 250 publishing houses, printeries, design studios, and bookshops. What recommends this place is not the volume of inventory — though several anchor bookshops carry tens of thousands of titles between them — but the architecture. One walks among low concrete and brick buildings designed by names one recognises from the Korean architectural canon: Seung Hyo-Sang, Kim Young-Joon, the Mass Studies practice of Cho Min-Suk. The town reads, on first impression, as a kind of restrained academic campus; the storefronts are minimal, the signage lean, and the whole district has the atmosphere of a working publishing community rather than a tourist destination. The two essential anchors for a first visit are Forest of Wisdom — Jihye-ui Sup — a triple-height stacks-style library reading room with eight-metre shelves, free entry, open daily, and Asia Publication Culture Information Centre, which doubles as a guesthouse and a café. Both close around 20:00, both photograph well, and both reward an unhurried hour each.

What to actually do in three hours

Allow ninety minutes for Forest of Wisdom — including a slow read in the upper gallery — and ninety minutes split between two or three independent bookshops and a coffee at Mindeulle Yeongtoji or the rooftop at the Asia Centre. The English-language inventory is thinner than at Kyobo Book Centre in Gangnam, but the Korean design and architecture sections are unmatched in the country, and most shops keep a small bilingual stock for foreign visitors. Lunch is best taken at Bornia or at the in-house restaurant inside the Asia Centre — both serve refined Korean tasting sets in the 22,000 to 38,000 KRW range and accept walk-ins on weekdays.

White Block art centre at Heyri Art Valley with long concrete gallery building
White Block art centre — a low concrete gallery in Heyri's quieter southern quarter.

Heyri Art Valley — the second leg

Eight minutes' drive further north — and one is in Heyri, a planned artists' village built in the late 1990s on a 500,000-square-metre site by a cooperative of about 380 writers, artists, architects, and curators. Heyri is what one might call the cousin of Book City; the genetics are similar, the register slightly more bohemian. The streets are unpaved gravel in places, the buildings idiosyncratic, and the walking distances longer. There are perhaps forty small private museums, ateliers, and concept cafés open to visitors — most of them require a 5,000 to 12,000 KRW admission, most of them keep irregular hours, and none of them are individually essential. What I recommend instead is the rhythm: pick three, accept that two will be unexpectedly closed, and let the unscheduled walk between them carry the afternoon. The standout for me is the White Block art centre — a long low concrete gallery with rotating exhibitions of mid-career Korean artists — and the Han Hwang-Sun Museum of children's book illustration, which is more affecting than its premise suggests. Heyri is best visited on a Friday or Saturday when most ateliers are open; Mondays and Tuesdays are notably thin.

Freedom Bridge over the Imjingang river at Imjingak Pyeonghoa-Nuri Park
The Freedom Bridge at Imjingak — repatriation crossing, 1953, still intact.

The Imjingang riverbank and what one sees from it

Twelve kilometres north of Heyri, the Imjingang river arrives — and with it, a quieter and more sober register. The riverbank at Imjingak Pyeonghoa-Nuri Park sits on the south side of the demilitarised zone; one can stand at the railing, see across the water to the northern bank, and read the small monuments to the Korean War without leaving civilian South Korean territory. There is no border crossing here, no checkpoint to pass, and the park is open daily, free of charge. The Freedom Bridge — a short pedestrian span used by repatriated prisoners of war in 1953 — sits at the centre of the site and remains intact. There is a Mangbaedan altar where displaced families perform memorial rites for relatives in the north, a small steam-locomotive monument from the original Seoul-Pyongyang line, and an observation deck — Dora Observatory, fifteen minutes' drive west — that requires a small admission and a brief security registration with passport. Imjingak itself is the more accessible stop and the one I recommend for a first visit; it has cafés, restrooms, and the discreet weight of a place that keeps its history close to the surface without theatricality.

Korean Buddhist temple-cuisine set lunch served at Bornia in Paju Book City
A temple-cuisine set lunch at Bornia, weekdays, in the heart of the publishing district.

Where to eat — three meals across the day

Breakfast, taken before leaving Gangnam, is best handled at the hotel — the day is long enough that one wants the morning calorie load. Mid-morning coffee in Book City: the rooftop café at the Asia Publication Culture Information Centre serves a respectable single-origin pour-over for around 6,500 KRW and offers a wide view of the Han River from the fifth floor. Lunch in Book City or Heyri: Bornia in the publishing district does a Korean Buddhist temple-cuisine set lunch at roughly 28,000 KRW, served from 11:30 to 14:30, no reservation required on weekdays. In Heyri, Half Time café offers a brunch plate in the 18,000 to 24,000 KRW range and operates as the village's de facto wifi-and-meeting room. For a late afternoon coffee at the Imjingang, the cafés inside Imjingak Pyeonghoa-Nuri Park are functional rather than refined — fine for a thirty-minute pause. Dinner is best taken back in Gangnam, where one returns by perhaps 19:30 and can sit down to a tasting menu in Apgujeong by 20:00 with an entire day of grey northern air still settled in the bones.

Pacing — and why this trip suits a treatment-week schedule

The reason I keep recommending this particular day to visitors who are also in Gangnam for an aesthetic or wellness consultation is straightforward: the route is paced for a body that wants distraction without demand. There is no climbing, no crowd density, no late nights. The walking distances at Book City and Heyri are flat and broken into discrete buildings; one can sit, often, in cafés and reading rooms. The Imjingang stop is itself a kind of meditation — a long, slow look at a grey river with very little to do — and it carries the unusual quality of feeling significant without requiring participation. The timing maps cleanly onto a recovery window: depart Gangnam at 09:00, return by 19:30, and one has spent ten hours away from the hotel without feeling overspent. For visitors fitting this trip into a longer Gangnam stay, the most natural pairing is to slot it on a day three or day four — far enough past a treatment that the body has settled, early enough in the trip that one has the appetite for an unstructured afternoon. The interval is the whole point; the publishing houses are the excuse.

“Paju is the kind of day a city as densely written as Gangnam needs as a footnote — a planned town for the printed page, an artists' valley, and a grey river that still marks something unresolved. One returns to Apgujeong at dusk a little quieter, a little better company.”

Editorial note

Frequently asked questions

How long should I plan for the Paju day trip?

Allow ten to eleven hours door-to-door from a Gangnam hotel. A typical schedule departs at 09:00, arrives at Paju Book City by 10:30, spends three hours there, transfers to Heyri Art Valley for two to three hours, and reaches the Imjingang riverbank by mid-afternoon for ninety minutes before returning to Gangnam by 19:30. Cutting any of the three legs is workable; cutting the transit is not.

Is it possible to visit the DMZ on the same day?

Visiting the demilitarised zone proper — including the Joint Security Area at Panmunjom — requires an organised tour, a passport check, and a separate full day of seven to eight hours; it is not realistically combinable with a Book City and Heyri trip. The Imjingak Pyeonghoa-Nuri Park, however, sits within the same day's drive and offers a civilian view of the southern edge of the DMZ without security registration. For most visitors, Imjingak is the right amount of border.

What is the difference between Paju Book City and Heyri?

Paju Book City is a planned publishing and printing district built from 2003 onward, with about 250 publishers, working printeries, and large reading rooms; the architecture is restrained, the use commercial. Heyri Art Valley is a planned artists' village built from the late 1990s, with about 380 ateliers, small private museums, and concept cafés; the register is bohemian, the streets unpaved in places, the use cultural. The two sit eight minutes apart by car and are best visited together.

Do I need to speak Korean?

Not for the bookshops, museums, or cafés in Book City and Heyri — bilingual signage is common, and staff at anchor sites such as Forest of Wisdom and the major Heyri galleries handle measured English. At Imjingak Pyeonghoa-Nuri Park, English signage is less consistent but the major monuments are clearly labelled. A translation app helps for taxis and smaller cafés; it is not essential.

Is the trip suitable after a recent aesthetic treatment?

Generally yes — the day involves flat walking, considerable seated time in cafés and reading rooms, and no high-altitude exposure or strenuous activity. Visitors three or more days past most non-invasive procedures find the pacing comfortable. Patients should follow their own clinic's specific aftercare instructions; the consideration is more about avoiding crowds and accelerated heart-rate situations than about distance.

When is the best time of year to visit Paju?

Mid-September through late October offers the most temperate weather and the clearest views across the Imjingang; the autumn light suits the low publishing-house architecture well. April and early May are similar in temperament, with cherry blossoms scattered through Heyri. Winter from December through February is quieter and starker — the river is partially frozen, the visitor density at near zero — but reading-room time is at its most pleasant. Avoid heavy rainy-season days in late June and early July.

Are children welcome on this itinerary?

Heyri is the most child-friendly of the three legs; several private museums — including the Han Hwang-Sun Museum of children's book illustration and the Hands-on Children's Museum near the village entrance — are designed with younger visitors in mind. Book City is more adult-paced, though Forest of Wisdom holds a children's reading nook. Imjingak Pyeonghoa-Nuri Park has a small amusement section adjacent to the memorial grounds; the contrast is unusual but workable.

Should I book a private car or take public transport?

For most international visitors, a chartered half-day car with a driver who waits between stops is the more discreet option — it removes the timing anxiety on the bus connections and lets one travel between Book City, Heyri, and Imjingak without wasted minutes. Hotel concierges in Apgujeong and Cheongdam handle the booking; expect 250,000 to 350,000 KRW for a six- to eight-hour service. The 2200 bus from Hapjeong is workable but adds roughly ninety minutes of total transit and removes the Imjingak leg entirely.